Detour Art.
A curated guide to Artist-built Environments.
region by region, coast-to-coast.
Dedicated to the sheer joy of outsider, folk, visionary, self-taught, vernacular art and environment discoveries found all along the back roads (and side streets).
What is an artist-built environment?
An artist-built environment is a space shaped over time by an individual — often self-taught — who transforms land, home, or property into a fully immersive work of art.
These places might look like visionary yards, handmade architecture, sculptural gardens, roadside installations, or entire landscapes reimagined piece by piece. They are usually built outside traditional art systems — without institutional backing, formal training, or commercial intent.
They are made because someone needed to make them.
Some are preserved. Some are fragile. Some have already disappeared.
Detour Art
Detour Art is my ongoing documentation of these environments across the United States.
I travel to these places, photograph them, and gather whatever history I can find — tracing origin stories when possible and returning when the light, the weather, or the story shifts. Everything here is hand-curated and personally documented.
Because many of these environments are vulnerable to weather, development, or neglect, documentation becomes part of preservation. I share my photography with S.P.A.C.E.S. (Saving and Preserving Arts and Cultural Environments) so researchers and restoration teams can track how sites evolve over time and, when possible, restore them closer to the artist’s original vision.
This work sits somewhere between field study, archive, and love letter.
Why these places matter
Artist-built environments expand our understanding of who gets to be called an artist. They challenge the line between art, architecture, and devotion. They remind us that creativity often happens quietly, stubbornly, and without permission.
Many were built over decades. Many were built alone. All deserve to be seen.
Artist-built Environments in the United States.
Note: Things change, so check first before arriving. When visiting art environments, remember they are usually on private property, so please be respectful and don’t trespass.
“PECULIAR TRAVEL SUGGESTIONS ARE DANCING LESSONS FROM GOD.”
— Kurt Vonnegut
Road stories.
Minnie Adkins
Minnie Adkins began whittling as child, back when women didn't carry pocketknives or hunks of wood. But that didn't stop Minnie from carving roosters and dogs from sticks whenever she had the chance. She's continued to develop her craft and her possums, foxes, and chickens, and more are prominently featured at the Kentucky Folk Art Center and in some of the world's top collections of self-taught art. After her first husband, Garland, died, Minnie remarried and convinced the new guy, Herman,that he had the makings of an artist too, though he prefers working with metal. The couple hunkered down in a new, improved version of what they call Happy Gizzard Hollow, which has become an axis of self-taught art for the rural community around it.
Tile House + Tree of Life - Beverley Magennis
The Tile House is considered an Albuquerque landmark. All original mosaic art work that covers the home was completed by ceramic artist Beverley Magennis. She tiled the interiors and exteriors of homes, including her own, with tiles, pennies, and mosaics. Beginning in 1984 with a mosaic border around the doorway, eleven years later the house was covered inside and out.
Mrs. Pope's Museum - Laura (Forester) Pope
Laura Pope built a sculpture garden that surrounded her general store and house in a rural area near Ochlocknee, Georgia. It once included about 200 accomplished life-size cement figures of famous women and heroes of both World Wars, Martha Berry, Red Cross, Gold Star Mothers, and many others, including local school teachers.