Detour Art.

A curated guide to Artist-built Environments.

region by region, coast-to-coast.

Dedicated to the sheer joy of outsider, folk, visionary, self-taught, vernacular art and environment discoveries found all along the back roads (and side streets).

Outdoor sculpture of a woman with a basket and a man riding an elephant, set in a wooded area.
Colorful hillside with a cross on top, decorated with various words and designs, including a large red heart with the text, 'Jesus, I love you! Please come into my God and into my heart.'
Wooden house with a green roof behind a metal fence, surrounded by leafless tree sculptures with human and animal figures, and a sign reading "Garden of G Dorm".
Colorful, eclectic outdoor sculpture featuring numerous human and animal figures, set against a clear blue sky, with trees and greenery around.

What is an artist-built environment?

An artist-built environment is a space shaped over time by an individual — often self-taught — who transforms land, home, or property into a fully immersive work of art.

These places might look like visionary yards, handmade architecture, sculptural gardens, roadside installations, or entire landscapes reimagined piece by piece. They are usually built outside traditional art systems — without institutional backing, formal training, or commercial intent.

They are made because someone needed to make them.

Some are preserved. Some are fragile. Some have already disappeared.

Detour Art

Detour Art is my ongoing documentation of these environments across the United States.

I travel to these places, photograph them, and gather whatever history I can find — tracing origin stories when possible and returning when the light, the weather, or the story shifts. Everything here is hand-curated and personally documented.

Because many of these environments are vulnerable to weather, development, or neglect, documentation becomes part of preservation. I share my photography with S.P.A.C.E.S. (Saving and Preserving Arts and Cultural Environments) so researchers and restoration teams can track how sites evolve over time and, when possible, restore them closer to the artist’s original vision.

This work sits somewhere between field study, archive, and love letter.

Why these places matter

Artist-built environments expand our understanding of who gets to be called an artist. They challenge the line between art, architecture, and devotion. They remind us that creativity often happens quietly, stubbornly, and without permission.

Many were built over decades. Many were built alone. All deserve to be seen.

Artist-built Environments in the United States.

Note: Things change, so check first before arriving. When visiting art environments, remember they are usually on private property, so please be respectful and don’t trespass.

“PECULIAR TRAVEL SUGGESTIONS ARE DANCING LESSONS FROM GOD.”

— Kurt Vonnegut

Road stories.

A sparkling Museum of Self-taught art in Baltimore

When you see one of Vollis Simpson's whirligigs adorning the front lawn of a museum, you know it's no ordinary place. This is indeed the mecca for those who appreciate work by self-taught, outsider or visionary artists. AVAM features three full floors of art displayed in long-running shows that cover a specific theme like "aging" or "war and peace." Their permanent collection contains a number of works by Ted Gordon, Howard Finster, Gerald Hawkes and the Baltimore Glassman, Paul Darmafall.

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